pyramidolic

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by Javier de Lozoya Dedicated to C. Blanca, happy birthday, november the 1st. Index FIRST PART - Playing with fire. - The logic of History. - Orient and Occident. - Why a Pyramid?. -The backbone of the Reality. -The four "matriuskas". -The physical laws: the six processes. - The Whole. - The pluricosmos. - The cosmos. - The Milky Way. - The Sun. - The planets. - The organic life. - The Earth. - The Moon. - The dark side of the Moon. - Pyramidal dynamics. - The Stone explains the theory of relativity. SECOND PART - The Figure is not an invention but a discovery. - The Astrology and the Tarot. - The Sun (2ª part). - The planets (2ª part). - Mars and Venus. - The human being. - Body, personality and essence. - The animal. - The vegetable. - The individual conscience. - The cell. - The virus. - The genome. - The chromosome. - The gene. - The unknown atomic chain. - The atom. - The subatomic particle. - The orthogonal system - The Nothing. - Pyramidal dynamics (2ª part). - The Astrology (2ª part). - The Tarot (2ª part). PLAYING WITH FIRE The Pyramid is an universal model founded on the artistic beauty and is able to fuse the versions raised by Science, Religion and Philosophy saving the obstacles that prevent the approach among them. My finding leaves from the irresistible personal necessity to play with the fire that illuminates from the pyre of the Truth to be able to solve the most transcendental questions that, ever since we are children, they obstruct to everybody and which, with the course of time and because of the excessive leading of the prosaic subjects, we left to be insoluble. I have been able to emphasize synthetically the pyramidal great utility like geometric Symbol of the Reality, mainly in this sense the Stone is an authentic success and is very useful for those who is familiarized with the psychological method that contributes the key to develop the interpretations. Few people who think on my work have admired its organization but everybody has almost talked about to it like something that comes existing from always or, at least, for a long time. For the most of my constructive critical it is familiar that they denominate "the philosophy of the Pyramid", perhaps even also for you, dear reader, this subject sounds to classic piece. Nevertheless, the Formula, until now, never has been part of the cultural patrimony of the humanity. Pyramids exist from immemorial time as much for Geometry as for the Art, civilizations of the remote past have used it with religious and astronomical aims, I ignore if some school of thought has been dedicated to study the Stone with certain psychological depth. I do not create it possible adopting my point of view because, for example, the scientific material that gathers this formulation is son of the present time, just for this reason the appearance of the Figure marks a landmark in the history of the Knowledge. From principles of century XX when the spectacular theoretical advances of the Physics began to take place to the present time, it has passed a whole century, the sufficient amount of time for the apparition of a psychological interpretation that gives coherence, be elementary and decisive. The theories of the Physics, Biology and the Genetics have rested in the collective conscience of the humanity and, finally, the possibility has arisen from an organic integration embracing to the Philosophy and the Religion. Most important thing is the Aesthetic, the soul of the Art, is the determining factor that does possible and conditions the fusion. I understand the artistic beauty like the main factor of answer in conjunction with the philosophical abstract capacity that respects the empirical truth without being against to the own revelation of the Religion. When I considered the pyramidal model I decided to make it like if I was a musician composing a symphony or like the architect when designing a monument. The aesthetic canon is the key that opens the door to my findings. In this sense my work wants to be a good example that the Truth and the Beauty they always go of the hand and is impossible to separate them. Anyway the anachronistic mirage that suffered some people interested when they collide with the Parable makes me think positively and it seems to me a good signal. It is like when somebody listening a song for the first time and nevertheless he is surprised not to perceive the newness but to get the subjective sensation to have heard it previously. For that reason also I believe that the Stone is something so classic, so fundamental that it rests by own merits in some recondite place of the enormous library that is our collective conscience like an old volume forgotten by the centuries of the centuries. Today finally is the emergency agreeing with the purpose of a cultural cycle of successive civilizations began in Old Egypt and that now touches to its aim with the apotheosis of the barbarism and the exaltation of the own mediocrity of a world very disoriented and altogether decomposition. This is one of the signs from which, for the Pyramid the time already is here and now. I believe that the chances, in this sense, do not exist, for that reason it is not strange to me that, simultaneously, something with projection of future and capacity of change is going to penetrate in the world to resist the chaos, to judge the quality of our ancestors´ contributions following the course of the History of the Knowledge. The market ("pyramidmaniacs" of years 70 and 80) also has done its commercial advances admitting and emphasizing a supposed magical property responsible for the emission and reception of a certain power quality, people called it pyramidal energy. Maybe there is some truth in this subject, the quadrangular pyramid seems to have demonstrated electromagnetic properties, I do not know so much about it, nevertheless, much people thinks that my steps have left from this fashionable land. To these people badly informed I must say to them that although there is a deep and traditional esoteric component in the Formula able to explain, for example, the authentic meaning and origin of the Astrology or of the Tarot, nevertheless do not exists deliberate falsifications in order to deceive the silly ones to foment the appearance of a sect, of a new pseudo-esoteric tendency or of scandalous fashion that can generate a buoyant business. When a unknown author displays a new and different idea as this one always is very hard and difficult to be recognized like eminence by the erudite critical and by the most of the readers because to do the first approach adapted to the work, first of all, they must do intellectual efforts, aesthetic valuations and, as in this case, a certain change of conscience essential to reach an optimal level of initial understanding. Arrived at this point almost nobody it is wanted to bother and almost all even lose the interest and the preconceived curiosity because to the majority it costs much to think about other categories forgetting their mental automatisms, the dominant mass opinion and the dogmatic beliefs so easy to admit without effort. The Parable offers solutions but only for those who pay the price in advance to be prepared to be able and to want to understand Her, peculiarly it does not suppose any money. If a subject have not an innate sense aesthetic or if does not know just a little bit of Physics probably never can value the pyramidal contributions but if, being it sufficiently, does not want it to do, then is like the deaf person of Gospels. This, far from being a problem, demonstrates that the study of the Stone never will create mad acolytes, neither sects leaders suffered brain damage, nor thieves whom they love to take control to distort Her towards purely egoistic dark interests. If one day She has people who follow Her they will belong to an elite of simple people, it is not necessary to be wise or expert. Peculiarly and never by chance all the people able to face this challenge will have a high level of being, all of them will be beautiful emotionally and healthy mentally, the reason is clear. Most of the scholars of the four disciplines perhaps they will not be very in agreement with the skilful beauty of the Figure because the Parable will means a sonorous slap to their concepts and practices, on the other hand very brilliant and consequent. Most of them will not like to admit that the elementary genial pyramidal idea be enough to explain synthetically the Reality better than their complex and analytic theories. I do not mean that I consider them false or misadjusted, although I suppose they are right ones, I think they are no global and too much complicated. Most of them will try to silence my finding. Everybody who feels annoying or harmed will criticize the Formula negatively. The scientists simply will watch for another side as if the thing not were with them. If sometimes somebody asks to the scientists for the Pyramid immediately they will answer saying: "I think it is unimportant to read that text, it does not contain a single equation, it is a loss of time, his author must be a great ignorant, I think he does not study Mathematics in his life". These fanatics do not must take the Figure as if it be an insult for the purity of its sacrosanct Science. They must not be so much arrogant and must begin to think that, nowadays, a long century after the relativity of Mr. Einstein, it is no necessary to be an awarded scientist to understand something on the Reality, just as it is no necessary to be a cardinal to think in a valid concept on God. I already know that they are rabid because the equations do not fit in spite of they have very powerful computers working untiringly day and night on its chimerical projects. All we know that, no matter how much strives, they cannot unify the four forces neither find the cosmic dark matter nor to create life in the laboratory nor to find the lost link between the man and the monkey. I am not the guilty of they are pawned on understanding the Reality exclusively with the logical method and thus is impossible to obtain conclusive results. We are not like envious schoolboys, we are adults and we need one each other. Let us be consequent to enjoy the life and to work with our heart and our instinct in addition with our mind, we accept like interesting one any idea that can serve to refresh our principles and to perhaps renew our points of view. Let us be opened and tolerant and we forget the human errors that all we commit to fix our attention to those successes that although seem humble can serve to expand our vision of the Reality. Let us judge the Formula without the fear of being judged and perhaps condemned by Her. What is new if in addition it is in conjunction with the beauty and the truth, easily it is scorned by those who has a feeling that the acceptance of this kind of novelty would imply the end of the old lies praised by them, lies amply recognized like certain by the mass in the error. Although the author seems to be an insane person or, at least, an arrogant one, he, to himself, is like a "quixote" predestined to undo any objection that their detractors can raise to him. Without equations, is not necessary to read music THE LOGIC OF HISTORY We will make a synthetic review for the History of the civilizations to notice the existence of a cycle where the four fundamental disciplines of the Knowledge, the Art, the Philosophy, the Religion and Science appear consecutively like dominant following a guideline of temporary order that is not accidental but that it is predetermined and it will return to repeat itself. Nowadays it is when, at last, this point of inflexion is here and a new cycle of four times is beginning. Art is discipline that always inaugurates the cycle, art is pioneer not arbitrarily but "to fertilize" to other three disciplines when the time is up in order to fructify the tendencies suggested during the artistic stage. So, always in harmony, they are in optimal conditions for emerging different ways valid to approach the Knowledge to understand and to live the Reality without anachronisms. The Egyptian civilization with its pyramids was eminently artistic. Science and the Religion were covered of artistic shades but nevertheless never they were victims of the poisoning of the Art, for example, the monuments of Giza had divine and astronomical connections without stopping being, first of all, impressive by its beauty. In this epoch the artistic discipline was the most indicated to know the Reality. The most important works of Art, mainly in Architecture, were ciphered and the experts could read in them using certain unknown secret keys for the neophytes. These initiated artists constituted the elite of the time. The artists occupied eminent positions and they always were near the Pharaohs. With the passage of time the Art yielded its pre-eminent place to the Philosophy. In classic Greece the students lived in a world where the Philosophy was like a queen, they did philosophy about the Religion and the Science. The modern stress for classical men of Greece not only supposed a hindrance but, in addition, it was an authentic silly thing only committed by unbalanced individuals. The works of Architecture erected in this old time are monuments to the philosophic contemplation. The human being was understood like a subject who needed answers and neglected by the Sky. The Religion still had not appeared with transforming force in the society. During the Medieval Age the philosophical domination ended because the influence of the Religion. The most of the men with social importance was clergyman. The works of Art were developed from religious subjects. At that dark time the Philosophy very was deformed by the Religion, in addition authentic Science still did not exist outside the Alchemy. The citizen must be submissive in relation with the religious dogmas in order to not be excommunicate. The medieval wisdom was in the libraries of the monasteries and was patrimony of the Catholic Church that dominated the world. The parents wanted that their children were priests or monks to be able to be considered men of certain social level. At the modern time is the scientist who receives superiority. The Renaissance is the historical moment when begins the period that nowadays is touching to its end. The Art is intellectual and appears multitude of "isms" (dadaism, cubism, surrealism, etc) and a great technological splendour. The Religion and the Philosophy are upset by Science, thus numerous sects appear, positivist philosophical tendencies and materialistic political doctrines like the Capitalism and the Marxism that mark the way to orient ideologically to a stultified social mass and still without own ideas. The man is understood as a mechanical being whose objective is to produce wealth. The scientific students are the dominant social class. The parents want their children do a scientific career to become, for example, prestigious doctors. In the future that is approached, following the logic of History, Art will return to be leader initiating a new cycle of four phases. In the new era the Art will not deform to Science, neither to the Religion nor to the Philosophy but that really will help them to assume their natural position without dominances. The Art will penetrate all the categories of the human conscience. The Aesthetic one will absorb to the Ethics. The Figure will appear as an historical echo of the archaic pyramid being studied and appreciated to help to understand the Reality within a new cultural scheme where a system of values more harmonic and less ruthless finds its expansion without annulling or reducing for that reason the traditional methods used by the purists. The utopian experience of the new period will begin when finally the scientists, the religious and the philosophers can and want to recognize the interesting resolutions contributions of the Stone to solve, of once and for always, almost all the mysteries that, in spite of the dissimulation, surround the experts and investigators of high level in the most serious and inextricable silence. The divorce between the human being and the Reality natural and, by extension, universal, will belong to an unfortunate past. The result will be the absence of fanaticism and the consummation of the fusion about the Knowledge, something that weighs on our collective conscience like the pending subject more difficult to surpass. The tolerance about all the different systems of values and the respect for the other people's ideas will not be a fact. Many people will wish look for new ideas in foreign cultures. The planet will be able to become a great family. Intellectual humility will be the instalment that will fertilize the fields where the values will stand in order to everyone harvests its own system in harmony with the universal one. The partial visions of the Reality will disappear to open the way to a landscape of general concepts and global landscapes where a cultural atmosphere in regeneration process will be able to be breathed. In spite of living this triumph, paradoxically, there will be some people without adaptation that, without another remedy, will feel like depressed discomforts and their professions will begin to be old fashioned and their intellectual and even personal reasons of being, little by little, will derive towards the past. If they want to follow in the crest of the wave they must "change the chip" opening their minds to the great fusion about the Knowledge which is approached with huge steps and forgetting the unconnected specializations. Independently of the understanding that can be found between its faces and edges, this Formula does not contain a treasure. During the study, we shall find the gem in ourselves, in our own understanding and never in the sharpness of a vertex or the abstract coldness of a pyramidal face. The Parabola will end up transforming you, dear reader, if you prefer to conserve intact your present system of values, if you wish to continue being the same person, you do not must entry in the Pyramid because you will be lost inside the Anything. ORIENT AND OCCIDENT The cosmological and psychological ideas, on the universe and the human being, who Mr. George Gurdjieff at the beginning of century XX mattered to the West coming from some incognito zone of Central Asia and that soon their followers commented during first half of the century are an example very clear of the use of the psychological method to approach the knowledge of the Reality with guarantees of certain success. These outlandish ideas for the occidental mentality belong to an esoteric system (Fourth Way) that shares interests with the classic philosophies and the traditional religions and others with empirical sciences, nevertheless, introduces original approaches based on schematic but very dense diagrams in meaning like, for example, the Ray of the Creation and enneagram. A good day of my tender youth, while I was round and around among the literary pieces of a bookstore I found a book signed by such Mr. Ouspensky who was titled "In search of the miracle". At that time I already was persuaded in my search towards the transcendental thing but she had still not found any safe way. At first the reading of this mysterious volume was to me somewhat uncomfortable because often it ran into with the psychological method like an obstacle. At that time still I was not customary to think about other categories and my mind was only able to reflect from the guidelines logics and empiricists coming from my academic education. Soon I was adapting and I finished being in tune with clearness when I managed to become familiar with the mental expansion that entails the use of this method. After this first title many others came to thicken my library. After years these books of the Fourth Way became for me a material of theoretical study and frequent enough practical investigation. The Stone can be understood like an extension of content and a qualitative development of the Eastern system taught by Mr. Gurdjieff and Ouspensky in Europe and the United States (the Ray of the Creation, the Law of Three, the Law of Seven, the twelve power qualities, the six processes) and, therefore, is very recommendable for any person who feels attracted by these Oriental ideas. The Figure goes beyond which it is possible to be found following this route psychological because also it is in tune with the spectacular findings carried out by physicists like Mr. Einstein, Heisenberg, Schrödinger, Planck and Eddington among others (theory of relativity, quantum mechanics, Big-Bang, antropic principle, etc.) The empirical method also is very present the Formula. It could not be of another way, are not possible to be forgotten the facts proven by Science, would be equivalent to betray the Knowledge. In the Parable both methods, inductive and deductive, Oriental and Occidental, archaic and contemporary, luckily are complemented to understand the Reality. Doing echo to me of the synopsis that is in the end of the magnificent book of Mr. titled Ouspensky "Tertium Organum, the third canon of the thought" I will make a distinction between the form logical and the psychological form to understand the Reality with the purpose of which you, dear reader, are located properly. Following the logical method we understand the space like something three-dimensional, the universe is an infinite sphere that, indeed is equivalent to all the space. The phenomena are understood like events in movement that happen in the time. The future and the past, from the strictly logical perspective, they do not exist and the universe is immersed in a process of continuous changes. Nevertheless from the psychological point of view the space is conceived like continuous space-time. The changing universe only is it in appearance. For the logic the concepts exist, the words, the judgments, the inferences, the thoughts, the oral and written language, the allegories and the emotions. For the psychological method there is an expansion of concepts, superior emotions that entail an important cognitive load, also exists a self-conscience related into the cosmic conscience. For the logic A is A and A is not no-A, said of another way, each thing it is A or he is no-A, the logical one is eminently dualist, it is really the logic of the contrasts and the syllogisms. However for the psychological method A is as much A as is no-A, as soon as there is a logic about the unit of everything. The subject and the object get to be the same thing. The universe sees itself through the observer who lives. The mathematics also is different for a method or another one. For the logic all magnitude is always equal to if same. A part is always smaller than the whole to which it belongs, the numbers are finite and with constant values, euclidean geometry is enough to understand the assumptions that can consider. For the psychological method a magnitude cannot be equal to itself, a part can be equal to the totality one. The mathematics is about infinite magnitudes and about variable numbers, exists the meta-geometry. The only sort of actions can be verified logically is the game of the handle (the first human invention). There is possibility of being conscious on the results. The cause of the actions is necessary to find it in the external world, in impressions received from the outside. Nevertheless for the psychological method the actions are not mechanical but conscious because all of them have a global purpose cosmic. They exist independent operations that come from the interior, that is to say, from oneself, for the strictly logical mentality they can seem magic. The morality also is different according to is applied to a method or another one. For the logic there is a conventional and arbitrary division in many cases, between good and bad. It exists a submission to the group conscience of family, clan, ethnic group, tribe, nation, political party or social class. For the psychological method there is a return to the internal own law, the natural law that dictates the self-conscience, also exists an emancipation of the submission to the group conscience that understands the good and the bad according to its own egoistic conveniences and, nevertheless, it exists a strong feeling of individual conscience like independent unity but integrated in the cosmos. The form of conscience for the logic is a division between I and not-I, however for the psychological method there is a beginning of self-conscience and cosmic conscience often accompanied by a state of mystical sensation-cognition. Therefore we can understand the world and God are only One and, nevertheless, they coexist with a scale law that allows to equip with different quality from all the things. Also we can understand the universe is a conscious alive being but not a product of the chance. We shall accept all the branches of the Knowledge finally are only one. The fundamental role played by the human being in a Creation of roundtrip will be included. Really, the conscience could be able to celebrate the triumph of the own individuation learning to develop independent operations. The use of the psychological method supposes to reach an inner superior objective (to win in the Supreme Game). The main thing is to discover the mysteries of the Reality to can participate like an instrument into the hands of the Creative Will and, at the same time, to contribute to the benefit of the next generations. Thus I thank to the world to be the support of my elementary existence and balance the debt contracted with the Reality that as much I admire. In this sense, this work intends to fulfil a purely personal intention. WHY A QUADRANGULAR PYRAMID? Often they have asked to me why the only geometric figure which serves psychologically like a comprehensible cosmic model by the human mind is a regular quadrangular pyramid. Why it cannot be a cube or a sphere, for example, or a cone that they even are more elementary figures. The Law of Three rules that it must be three fundamental forces in conjunction (active, passive and neutral) to produce an event, only two forces cannot obtain it. From this first fundamental Law of order we obtain the triangle, of all the possible flat figures the triangle is the only one with less sides, only two sides cannot close a plane. The triangle is the first geometric element it is going to compose the Stone, the lateral edges form triangles. The vibratory result of the manifestation originated by the aid of the three fundamental forces in action is symbolized with the square. The square surface is the second geometric element that is going to comprise of the Figure. The base is a square. The collection of parallel infinite squares that conform the Stone from the base represents the range of compatible vibratory possibilities with the Law, this way, an inter-pyramidal space overwhelmed with waves is created. Any universal result is associated with a certain vibrating frequency included between the peak (pure energy) and the base (dark matter), we will see it with more detail in later chapters. Each side of any square-result which we take arbitrarily as example is part of a pyramidal triangular face, this means so that, in fact, the square-result has a triangular origin because it comes from the joint activity of the three forces. No other geometric figure simpler than the Pyramid can represent better the idea-triangle than express the Three Law of and the idea-square that the result of its action symbolizes. A sphere does not have neither square nor triangle, a cone either, a cube does not have triangle, a tetrahedron does not have square, all the other figures are always the more complex that the pyramidal Stone and do not serve to symbolize the Reality because this One, in essence, is synthetic and simple at last. The simplicity symbolized by the first numbers is the only way that guarantees the existence of a Reality ordered and plenty of meaning. The five represent the cosmos, the incarnated order that expands in the interior of itself into the observer when he breakdown the outer Reality in informative expansion like an intelligible event. The pentagon when transforming itself into star of five heads has the property of being able to grow towards outside and towards inside until the infinite from his own laws, that is, it can reproduce his outer growth by his inner growth and vice versa. The number fi (1.618033...) or golden number is the key that explains the essence fractal of the Reality, indeed this irrational number is deduced from the star of five heads. This means that the Reality is self-conscious and for that reason consists as much of a physical-outer version as of another parallel psychic-inner. The pyramidal Figure has five vertices and is in them where the conscience is funded. The triangular space, that is to say, the sum of infinite triangles that conform the Stone represents the physical-outer version of the Reality that is generated from the vertex of the peak and later breakdown, that is to say, made psychic-inner, from and by the four vertexes of the base. The quadrangular space, which is the sum of the square infinites from the base in ascension towards the top, exactly represents the psychic-inner version generated by the four vertices of the base as a result of the insertion of the triangular physical-outer space carried out by the conscience that operates from this pyramidal place. Said otherwise: the Pyramid is a pentagon and behaves as such from the point of view of her five vertexes, definitively this way She manages to be self-conscious. In close chapters we will see as the self-consciousness of the Figure origins from the capacity that the cosmic users located in five vertexes have to influence all the parts that compose the Creation being symbolized by all the points of the spatial pyramidal interior. Summarizing, the Stone is flat because the incorporation of the triangle in her lateral edges, also She is spatial because the incorporation of the square in her base and, finally also She is tetra-dimensional, because the incorporation of the pentagon in her vertexes. The self-consciousness to be able to exist being an innate property of the Reality not only supposes the necessary existence of cosmic order but also of hermetism and of self-containment. As the triangle is the flat figure with fewer sides, the quadrangular Pyramid is the cubic self-conscious figure with fewer dimensional elements. Now we can demonstrate that the property exclusively of the Figure in order to serve as faithful symbol of the Reality is not a magic consequence that origins from the format of the Stone but it is motivated by the Law that sub-lies in the simplest numbers, by the numerical - geometric general Law that concerns the Reality in all the levels. The capacity that as hermeneutic support has the Pyramid to explain the Reality is not a property that origins from herself with independence of the Geometry that encourages to any figure. The explanatory symbolic power is a geometric general consequence that demonstrates in the Stone because She is the only figure that synthesizes the numerical universal Law. The pyramidal Formula, therefore, is in ideal conditions to be the only Parable to explain the Whole with certain guarantee of fidelity. Mr. Pythagoras demonstrated the numbers three, four and five have a plan, really, it happens when they are participating in the triangle rectangle. The value of one of the two legs raised up to the square added to the value of other one, also raised up to the square, is exactly equal to the value of the square of the hypotenuse. 9 + 16 = 25. This Pythagorean relation among three fundamental numbers involved in the Figure wants to demonstrate us psychologically that the quadrangular pyramid is the only cubic expression become related to the famous theorem that we all learned being children. It is evident that we face the study of a topic so simple as classic. THE BACKBONE OF THE REALITY The Figure serves me as a philosophic symbol to obtain a synthetic vision brings over the Whole. The Formula tries to be a final conclusion from the whole material that is available on the universe, the life, the human being and the atom. In this respect it aspires to be a work capable of explaining the origin, development and I destine so much of the Totality, as global unit, all that of its constituent parts. Thanks to the Pyramid I know new information She brings over of the Reality that they arise as consequence of the application of the psychological method and simultaneously I understand the studies about Physics, Biology and Genetics. But there is much more because her utility goes beyond the simple mnemotecnic element, really She contributes information that facilitate both the global comprehension and the partial one of the functioning of the macro (the universe), of the meso (the Nature), of the micro (the human being) and of the nanocosmos (the atom), this is what really gives value to my work. Thanks to the Stone the student can go out of four cosmos to see them from out with all the dimensions turned into magnitudes into organic interaction (the study of the parts depending on the harmonic lace inside the Whole) with all the levels in scale. This external point of view grants a privileged position and consequently a major degree of objectivity. The Parable does not contradict any find that the Science has proved up to the date and I believe that, neither in the future, nor the Physics nor the Biology nor the Genetics they will find no insuperable mistake in it. After enough previous essays I managed to fit well the dimensional bricks of the Figure and when I was sure that no substantial modification would alter decisively the studding, I fixed the following chart that now you prepare to value. This one is the scheme of the macrocosmic exhibition: -Do-4-Absolut (Everything) - energy 1 (superforce)-12th -interval dosi-1-(Pluricosms)-Transcendental-Four forces (fracture of the only law)-11th -Si-2-Cosmos-Unitive-Electrical loading 3-10th -La-3-Milky Way-Creative-Gravitation 6-9th-Macrocosms -Sol-4-Sun-Conscious-Light 12-8th - Fa-3-Planets-Sensitive-Magnetism 24-7 th - interval fami-3- Organic life on the Earth-Sensitive-Sensations (Fracture of 24 planetary laws, Tarot Game) - Mi-2-Earth-Cohesive-Matter 48-6th -Re-1-Moon-Direct-Time 96-5th -Do-0-Dark side of the moon-Dispersed-Heat 192-4th In each and every of the different levels from this first and principal octave (Ray of the Creation) there exists a total and general vision of the Reality though simultaneously also another partial vision, as the musical decrease is consumed, is reducing the spatial range. These two points of view though clearly different they are not exclusive because they reflect complementary visions that contribute with a lot of comprehension. This one is the scheme of the mesocosmic exhibition: -Do-4-Sun-Conscious-Eternity (destine) 12-6th -interval dosi-1-Planets-Sensitive-Time (fate) (Fracture of 12 laws, Astrology)-5th - Si-2-Mars and Venus-Movement (sex)-24-4 th -La/Do-3-Human being - space (concepts)-48-3rd - Sol/Re-2-Animals/Organs-Plane (feelings)-96-2nd - Fa/Mi-1-Vegetals/Tissues-Lines (instincts)-192-1st - interval fami-4- Individual conscience-Point-Adimensional In the a-dimensional level that marks the end of the mesocosmos the octave one touches bottom and immediately it ascends to end in the note “do” that represents the human being. This second scale (Lateral Octave) represents the global set of the solar System and the constituent parts. This next is the scheme of the microcosmic exhibition: -Do-3-Human being (individual) - space 48 (concepts)-3rd-Microcosm -interval dosi-2-Animals (organs)-Automatic-Plane 96 (feelings)-2 nd -Si-1-Vegetals (tissues)-Vital-Line 192 (instincts)-1 st -La-4-Cigoto (cells)-Constructive-Cellular conscience 96-Adimensional -Sol-0-Virus-96-Adimensional -Fa-3-Genoma-Plastic-Space 48-3 rd -interval fami-2-Chromosome-Movement-4th -Mi-1-Gene-Time (heredity) 24-5th -Re/Re-4-Unknown atomic chain- eternity 12-6 th/4 th The third octave symbolizes the general totality of a human being and of his/her constituent parts. This one is the scheme of the exhibition nanocosmic to represent the generality of an atom: -Do/Mi-3-Unknown atom-Electromagnetism/Time 24/6-5th/3rd - Interv. dosi/Interv. Fami-2-Subatomic particle-Matter/Movement 48/3-4 th/2nd -Si/Fa-1- Orthogonal system-Time/Space 96/Fracture of the only law 3 rd/1 st - La/Sol-0-Absolut (Nothing) - Movement (heat)/Plane 192/1-2 nd/Adimensional In this final point the octave ascends for the same scale where it initiated the decrease meeting again in the note “re” that symbolizes the atomic unknown chain. Because of it the different levels in decrease resound with two musical different notes. The nanocosmos is a dual world where the users of the different levels play a double role, for it, the study of the infinitesimal cosmos is shy and difficult to fall sick if we pledge in not bearing the duality in mind as principal feature. The surprising paradoxes that they appear and study in the quantum Mechanics exist as consequence of the empire of the duality in the bosom of the atom. The Law of Three makes clear that any event only demonstrates like Real if it is provoked by the joint action of a triad of forces (active, passive and neutral). The Absolute one (Everything) or Original Source is an alone force that contains just these three. The Generation begins when this superforce is divided in its three components. The first triad generates a second and, in turn, the second one generates the third and like that one successively we would come up to the chaotic infinite if it was not entering in game the Law of Seven or Law of the Octave to organize and to contain the Creation limiting its loose and senseless expansion. There are forces (3, 6, 12, 24, 48, 96 and 192) that, as consequence of the Law of Three in expansion, exist to stop, to retain and to give coherence to the colossal energetic tension that realizes the Creative Project from the Absolute one. Hereby one manages to close the Creation on itself generating in every level worlds in scale of independent character (sub-creations) that obey the same structural and energetic standard. In the attainment, development and multiplication of these worlds for the whole woodland universe, the great quantity of initial energy has occasion to become exhausted with profusion being able elude this way the explosive temptation that would provoke an infinite chaos and at the same time it has opportunity to Create a Whole one that, nevertheless, it is never exempt from the original chaos. The last link of the Reality, the dark side of the moon in the macrocosmos or the Nothing in the nanocosmos, is formed by the active - passive duality of permanently conflicting forces, that is to say, by the dark matter that the cosmologists try to find in the universe in order that the equations fit with the purpose of demonstrating its closed character. Every level of the Ray of the Creation is an expression, as Result of the joint action of three forces (Active, Neutral and Passive) as influences, energies and dimensions - magnitudes respectively. Influences (3) Will Radiation influence Time influence Attraction influence Energetic qualities (12) Being Transcendental Unitive Creative Conscience Sensitive Automatic Vital Constructive Plastic Cohesive Direct Dispersed Dimensions-magnitudes (12) Function Pure energy Electric loading Gravitation Light Magnetism Pure matter Time Movement Space Plane Line Point Result (9) Scalar level Sub-creations or worlds annotated in the Ray of the Creation Stone demonstrates the relation in key of three forces, which support the different levels of the Ray among itself. The levels that are a-dimensional (vertexes) associate with the Will, which are linear (edges) do it with the Being and those who appear as planes (faces) with the Function; the three-dimensional space is an expression of the Result. This way we obtain in the macrocosmos: Maintenance Creation Will Superforce Speed of the light Being Four forces Universal time Function Total pure matter Universal electrical load This scheme wants to say to us that, for consummate the Generating Act, the Absolute one (pure energy) uses the pure matter as instrument by means of the use of four physical fundamental forces (gravitation, weak force, electromagnetism and nuclear strong force); and the Suns (the stars) in its set (speed of the light) use the electrical load of the couple of twin universes taken as monopoles thanks to the expansive cosmic mediation that is the time. From the Whole the Reality is kept in order and from the Suns the Reality believes itself in the time. The cosmic Maintenance remains expressed in the own pyramidal format whereas the Creation in the time remains represented in the dynamics that gradually deforms the initial regularity of the square of the base. We will study these topics with depth during the exhibition of the different chapters of the present work. When the Will enters the cosmic formation represented by the exterior Pyramid it is divided in the three dimensional parts (vertexes, edges and faces) or, in three independent forces (influences). The Will never fuses as a totality, but the three parts try "refuse" separately after finding a common field and this determination remains expressed and achieved with the inter pyramidal tri-dimensionality. This fracture of the Will in three forces allows that the Function and the Being should inter-gesticulate between itself and, which is more important, that are penetrated by the Will. Without this split the forces would be kept always in pure condition and really there might never be a Creation one. The pure Will is equivalent to the previous state of the Creation. It is an affirmation lacking in sense for not possessing the means for its accomplishment. It is in the emptiness, it is thrown to the Nothing blindly at all, it is a desire without aim because does not exist a field of action (Function) nor a creative power (Being). The pure Being is a condition in target of infinite perception where the virtually and the reality are indistinguishable. The pure Function is an absurd mechanism lacking in sense, it is a question of a world without depth in which the own identity does not exist. The universe corresponds to the totally mechanical point of view of the Reality, that is to say, as something chance that borders on the absurdity. The Figure precisely represents the interaction of three forces to each other and its relation with the Ray of the Creation. Both laws, Three and Seven laws, they collaborate in harmony in order to the different levels occupy tidily the dimensions inside the symbolic pyramidal format with the purpose of which the Creation is a full event of meaning and intention. As we explain in previous paragraphs the relation among Will, Being and Function is such that exists a joint and global activity based on the law of Three that determines that in the Figure the a-dimensional levels (vertexes) act as agents of Will, linear (edges) like means of the Being and the planes (faces) as examples of Function. In the macrocosmos, the same Ray of the Creation (height of the Pyramid) is linear and, therefore, it is a way where they extend the energetic own qualities of the Being. The initial impulse, which it is born in the level indicated with the note “do” where one installs the Whole, descends for the principal octave one up to coming to the dark side of the Moon (final “do”), first of all it is a question of a press coverage that it introduces order. The same thing happens in other low octaves, the Lateral Octave one that it begins in our solar star, the Human Octave one and the last one that refers to the atom. The time, the continuous informative increase from the past towards the future is a procedure in order that the Being could happen among the Will and the Function, recovering this way its neutral action among the active thing and the passive thing. The Being curls the space-time from the nanocosmos; four fundamental forces in action (11 ª dimension) remain coiled in the space-time appearing the nanocosmic orthogonal system. The Function curls the space from the macrocosmos, the matter (6 ª dimension) rolls up in the space (high, width, length). The Will does not demonstrate rolls up in the Reality, instead of it, one keeps secret (five vertexes) differing this way from the Being (eight edges) and from the Function (five faces), furthermore it demonstrates that the Being (the plane is a degree more dimensional that the line), that it is involved in the Real existence since they have a measurement (length and area respectively) well determined in the Stone. On the geometric point, nevertheless, we are not in conditions to say something one about, it is un-measurable (the Will is no understandable). The Will, though it does not demonstrate, it generates the Totality whereas the Function retains the created it giving form and the Being takes it of return to the Origin. Let's see the following scheme: Will Conscience (The Whole and the Sun) Being Information (Ray of the Creation and time) Function Deposit (pair of universes and cosmic total matter) The first half of the Ray of the Creation is equivalent to the pyramidal macrocosmic height, this wants to say that the Being "interferes" inside the Stone crossing to all the quadrangular infinite flats and also to both spaces associated in the same pyramidal interior (triangular and quadrangular). This means that the Being, that is to say, the energetic qualities, they are not independent from the bodies (Function and plane). The energy, as always it happens experimentally, accumulates in the material bodies and besides there exists an energetic metabolism (a degradation of the energy - engine, and a re-gradation - generator), definitively a catabolism and an anabolism that they never develop out or apart from the world of the bodies (quadrangular inter-pyramidal planes). The linear Being (Ray of the Creation) not only cuts to the quadrangular infinite flats but also it does the proper thing with the inter-pyramidal space as unitary set of integration. It wants to say that the energy already not only accumulates in the bodies but besides also it does in the cosmos (Result and space) where the three influence factors of the Will they are kept restored. This accumulation is very well illustrated in every level of the Ray, every level turns into a tidy "world", a sub-totality with certain cosmic "flavour". The metabolism that exists as consequence of the relation between Being and Function also has a definite expression when it is recounted to the relation between Being and Will. Though Mr. Gurdjieff called process trogoautoegocratic to this "cubic" top metabolism we will never know with certainty if George had any such pyramidal notion and since the Formula appears. Either in any of his writings or in his conferences there was never allusion to the Parable, his more direct followers leaded by Mr. Ouspensky, neither talked about the Figure though it is true that he always insisted that " his ideas " really were not of " own crop " but only remnants of an archaic and unknown wisdom lost in the origin of the civilizations. His authentic role consisted of seeking in the Orient to find these sketches and to reorder them of a slightly coherent form in order to be presentable in the Occident. The four edges that symbolize the pluricosmos and the four fundamental forces associate such as we will read in a chapter of the first part, also they represent the Being but, in this case, a pure Being who is not implied cutting to the plane or to the pyramidal space. The vertex of the apex either does not "get in” the pyramidal interior, it is external in relation with the rest of the Figure, I am talking about the pure Will. We have the pure Function expressed in the dark matter symbolized by the square base. The triangular space also meets affected by the Ray of the Creation as height or line that gets in the pyramidal interior. Three forces (Will, Being and Function) combine to give place to six processes that demonstrate in the galactic area as the Will restored in 6 laws. All the topics now connected according to the pace of the exhibition, they will be seen little by little and independently following the explanatory thread of the work. Summarizing: the important of this chapter is bear in mind that the Stone serves to enjoy a clear symbolic set vision where all these aspects appears integrated and fitted in order to explain themselves thanks to the legislative joint and complementary imposition of the Laws of Three and of Seven in action and relation, that one that Mr. Gurdjieff called theomertmalogos" or God the Verb. Though there is four cosmos, only there are three complete Figures. The macrocosmic Pyramid coincides with the macrocosmos and the nanocosmic one with the nanocosmos but there is a Stone, which we shall called intermediate, that it includes to the set meso-microcosm. We will see as the interpretations that part with each of three Pyramids they are applicable to other two. Hereby we will be able to understand a few cosmos depending on others. The intermediate Figure is a fractal of the macrocosmic one and that the nanocosmic one it is a fractal of the intermediate one. So much in the first part of the work where we deal with the study of the macrocosmic Stone as in the second one where we will do the proper thing with both remaining Pyramids, the intermediate one and the nanocosmic, we will study, among others, the pyramidal following equivalents: Macrocosmic Intermediate Nanocosmic Apex Absolute (Whole) Sun Unknow atomic chain 4 edges (triang.) 4 physical forces 4 astrological elements 4 molecular bases 4 faces (triang.) pair of universes Mars and Venus pair of chromosomes space (triang.) Milky Way Nature genome 4 vertexes (quadrang.) solar conscience individual conscience cellular conscience space (quadrang.) solar planetary system human being atom base total matter organic matter subatomic particle 4 edges (quadrang.) physical time life time orthogonal system THE FOUR MATRIUSKAS The existence of the physical laws induces us to think that the Creation is a monumental Work of Art and that the only Real Figure is exactly the most beautiful among all the possible ones and not anyone. The circumference is the symbol of the perfection, for this reason the maximum quality of pyramidal format remains coded in a geometric – psychological equivalence relation between the circumference and the quadrangular pyramid. In the Parable the number pi (3,14159 ...) it is the symbol of the value of the speed of the light in our universe. The squaring of the circle and the consequent quality pi pyramidal grant a great importance to the height of the Figure, from this fact the height is not a simple geometric relation to turn it into the pyramidal element that contributes the meaning inscribed in the break of the superforce. The four forces are not brute ones but they take part of a degree of supreme subtlety to be able to generate a quality pi Pyramid. The scheme followed to introduce such a quality of order is due illustrated by the idea of the musical scale. The initial force develops of a discontinuous form, that is to say, with periodic accelerations and decelerations. The creative impulse is stronger or weaker alternatively. It seems to be constant until there comes a moment in which the vibrations stop obeying the initial impulse and during a brief period being retarded changing direction. Once franked this tightening the vibrations recover the continuity in its development until the initial impulse returns to suffer the second delay that, once liberated, is continued by the second normal unfolding. The periods of uniform action are not equal and those of delay are not symmetrical. The general idea that illustrates this fact is the classic musical scale of seven notes and two intervals. The initial impulse suffers two diversions bowing instead of following a straight line. The curvature closes its path drawing a circumference. Now we see as the Will of the Absolute one expresses his creative strategy with the circumference, the symbol of the divine perfection as the religious one would say. The cycle begins in the Totality and finishes in the Nothing, both Absolutes are like both faces of a currency, Nothing and Totality they remain joined owing to the Ray. The macrocosmic Stone gives coverage to a descending octave constituted by seven cosmic levels occupied by entities that use respectively every dimensional instrument. “Do” or Absolute point, interval “Do –si” or pluricosmic line, “si” or cosmic astral plane, “la” or galactic space, “sol” or speed of the solar light, “fa” or planetary space, interval “fa – mi” or plane in movement of the organic life, “mi” or terrestrial plane and “re” or lunar line. In this respect we give the reason to the religious ones when they believe that at the beginning God is One, then it is Three and finally, is Seven. In later chapters we will see that the edges of the base symbolize the time as total reflux, bearing this information in mind we can understand that the time of life of the universe is minor that the time that have the Ray of the Creation (diameter of the circumference which circle is squared) in spreading out for the whole universe. Exactly, the double of the number pi multiplied by the value of the radius is equal to four multiplied the value of the quadrangular edge (perimeter). If the whole of possibilities to realizing is the unit at the time pi=4a (being "a" the value of the quadrangular edge), therefore a= pi/4. The pi pyramidal quality, apart from beauty, demonstrates that in every universal Generation all the possibilities are not updated but only a good part of they. Doing the pertinent calculations we find that approximately there is 21 % of possibilities that cannot be realized in the Ray of the Creation for not having sufficient time. This portion is realized in the Lateral Octave one. We understand the reason of the existence of the intermediate Pyramid as way to allow that the possibilities that cannot be realized in the macrocosmic pure time should do it in the mesocosmos (associated with the electromagnetism of the vitality), in the new levels of the Lateral one (Mars and Venus, the human being, animal, vegetable, individual conscience). The phenomenon of the organic life arises, according to this exposition, as the result of a happily resulted need. The intermediate Stone "is" inside the macrocosmic one, both behave like matriuskas (Russian dolls). We will continue projecting our study to notice as also the nanocosmic Figure it is one more Russian doll of the cosmic game. Let's compare these two schemes (the Lateral Octave one and the Human Octave to warn certain suitable relations: -Do-4-Sun-Conscious-Eternity (destine) 12-6th -interval dosi-1-Planets-Sensitive-Time (fate) (Fracture of 12 laws, Astrology)-5th - Si-2-Mars and Venus-Movement (sex)-24-4 th -La/Do-3-Human being - space (concepts)-48-3rd - Sol/Re-2-Animals/Organs-Plane (feelings)-96-2nd - Fa/Mi-1-Vegetals/Tissues-Lines (instincts)-192-1st -interval fami-4- Individual conscience-Point-Adimensional -Do-3-Human being (individual) - space 48 (concepts)-3rd-Microcosm -interval dosi-2-Animals (organs)-Automatic-Plane 96 (feelings)-2 nd -Si-1-Vegetals (tissues)-Vital-Line 192 (instincts)-1 st -La-4-Cigoto (cells)-Constructive-Cellular conscience 96-Adimensional -Sol-0-Virus-96-Adimensional -Fa-3-Genome-Plastic-Space 48-3 rd -interval fami-2-Chromosome-Movement-4th -Mi-1-Gene-Time (heredity) 24-5th -Re/Re-4-Unknown atomic chain- eternity 12-6 th/4 th The Lateral Octave is to the intermediate Pyramid that the Ray of the Creation is to the macrocosmic one. Also the solar octave is unable to give coverage to the totality of the realizable possibilities. The 21% remaining has its way of expression in the nanocosmic levels of Human Octave (genome, chromosome, gene, atomic chain). The nanocosmic Stone, definitively, is the third matriuska and "is" inside the intermediate one. Let's observe these last two schemes, it is a question of the Atomic Octave and the Ray of the Creation: -Re/Re-4-Unknown atomic chain- eternity 12-6 th/4 th -Do/Mi-3-Unknown atom-Electromagnetism/Time 24/6-5th/3rd - Interv. dosi/Interv. Fami-2-Subatomic particle-Matter/Movement 48/3-4 th/2nd -Si/Fa-1- Orthogonal system-Time/Space 96/Fracture of the only law 3 rd/1 st - La/Sol-0-Absolut (Nothing) - movement (heat) / plane 192/1-2 nd/Adimensional -Do-4-Absolut (Whole) - energy 1 (superforce)-12th -interval dosi-1-(Pluricosms)-Transcendental-Four forces (fracture of the only law)-11th -Si-2-Cosmos-Unitive-Electrical loading 3-10th -La-3-Milky Way-Creative-Gravitation 6-9th-Macrocosms -Sol-4-Sun-Conscious-Light 12-8th - Fa-3-Planets-Sensitive-Magnetism 24-7 th - interval fami-3- organic life on the Earth-Sensitive-Sensations (Fracture of 24 planetary laws, Tarot Game) - Mi-2-Earth-Cohesive-Matter 48-6th -Re-1-Moon-Direct-Time 96-5th -Do-0-Dark side of the moon-Dispersed-Heat 192-4th We see in the scheme that the levels that ascend for the atomic scale returning from the absolute final "la/sol" they are under 1, 3, 6 and 12 laws up to coming to the initial "re", since well the same levels exist in the Ray of the Creation (Totality, the pluricosmos, the cosmos, the galaxy and the Sun), it is therefore in the macrocosmos where they happen approximately 21 % of possibilities that in the nanocosmic space-time cannot take place. What a surprise! It is easily understandable that a smaller Russian doll is content in another immediately greater one but it not so much is that the largest one be put in the smallest one. We would be able to say that in reality there is not three matriuskas but four, without forgetting that the lower one and the superior are certainly the same one. In the tri-dimensional space this supposed one is impossible, larger cannot be never content in smaller, nevertheless in the tri-dimensional space-time it is feasible. The play of matriuskas curiously has four dimensions, we do not forget that the five apparently punctual vertexes, really, are tetra-dimensional, we recall that the vertex of the pyramidal top is Generator and the four of the base are distorting the square. The Figure is found in continuous movement (4th dimension) and its tri-dimensional interior adapts continuously to a changing container, in truth is like a liquid (galactic in the macro, vital in the meso micro and atomic in the nanocosmos). A note about the squaring of the circle. Mr. Lindemann demonstrated that pi is a transcendent number, or, pi cannot be the root of a polinominal equation with rational coefficients consequently he demonstrated the impossibility of the squaring of the circle. In none of his adjacent commentaries the eminent mathematician managed to affirm that beyond the conditions imposed by the nature of the own physical spatial-temporary reality was impossible to square the circle, always he left a margin in order that this phenomenon could take place in an ideal purely psychic frame. It is interesting to do here this explanation in order that no reader feels tempted to do without the pyramidal Formula simply for the physical inability to square exactly the circle using the rule, the compass and protected by the elementary algebra. The Figure concerns to the world of the platonic ideas and She will never be able to exist in the physical Reality though we have a few wonderful instruments to draw. This incontrovertible fact, far from annulling the parabolic power of the Stone, centring and defining her condition as something exclusively existing in a psychic frame and therefore intimately related to the concepts, the deductions, the inductions, the conclusions, the interpretations and symbolic suppositions so frequent in the Pyramid. THE PHYSICAL LAWS: SIX PROCESSES We will study the Ray of the Creation from a new optic: - Do- Absolute-Pure energy-1 law - Pluricosmos - 4 physical forces (gravitation, weak force, electromagnetism and strong force) - result of the fracture of the only law - Si- Cosmos - Electrical load- 3 laws (active, neutral and passive) - La- Milky Way- Physical magnitudes (gravity, light speed, magnetism, vibrations, matter and time) - 6 processes (Structure, Involution, Interaction, Freedom, Identity and Evolution) - Sol- Sun - Movement - 12 laws - Fa- Planets - Space-24 laws - Organic life on the Earth- plane in movement (deformation) - Mi- Earth - Plane - 48 laws - Re- Moon - Line - 96 laws -Do- Dark side of the moon - Point-192 laws In the first "do" it governs the only law. In the note "si" there are three laws. In the note "la" there govern three laws of the immediately previous level and other three autochthonous laws, or a whole of six. In the note "sol" there remain assigned six laws of the galactic level (Structure, Involution, Interaction, Identity, Evolution and Freedom) and other six own laws of the solar level (Degeneracy, Growth, Destruction, Regeneration, Healing and Digestion) or a whole of twelve. So, we use this simple form to warn the logic that generates the exact quantity of laws in each level. The numbers 1, 3, 6, 12, 24, 48, 96 and 192 that they accompany on every level indicate the quantity of forces that are necessary to contain the Creative initial Energy. In this chapter, for referring only to the macro and to the mesocosmos, only we will be interested for the meaning of six laws that have an exclusively physical operability since they correspond with the triangular external space in contraposition to the quadrangular space that is internal and has a psychic nature associated with a major number of laws. Then, in this first part, we will study only the first four levels of the Ray leaving for the second the exciting and enlightening study about the psychic laws. The Only Law (Active absolute) corresponds with the Merger of the three basic ones (active, neutral and passive), exactly 3 laws that act universally provoking the appearance of both electrical monopoles. Six laws performers from the galactic level correspond with six processes, really are six physical magnitudes associated symbolically with each pyramidal dimensions (gravity-triangular space, the speed of light- quadrangular vertexes, electromagnetism-quadrangular space, the sensitive vibrations- base in deformation, matter - base and time - edges). The Creation like an event purely real, such as the pyramidal tri-dimensionality expresses symbolically, really only begins in the fourth level of the Ray, in the galactic level dominated by six laws, the first three levels are uncreated. The first level is punctual and has a volitional absolute character where three laws are inseparable. The second one is an immensity of cosmic couples wallowing in a virtual world where there arises the result of the activity of the superforce. The third level, which includes our complete universe, is dominated by three separated and freed laws appearing as electrical opposite charges, or, as universal monopoles, the active one symbolizes the order, the passive one the chaos and the neutral force represent the fundamental warlike relation that exists between both opposite laws. It is in the galactic level where three laws enter in combination to produce the tri-dimensionality. It is very simple: as they are three forces involve in the combinatorial game there is place only for six different processes; these are the following ones: Involution (A-P-N), Evolution (P-A-N), Freedom (N-P-A), St